This month, we invite you to explore “La Liseuse” by Leonardo Vargas—a canvas where touch and depth converge. The accompanying essay considers how form emerges from the movement of the medium, delicately negotiating between brilliance and opacity, memory and presence.
Far from a conventional reading, this piece encourages you to experience the silent poetry of seeing, where an image appears that unsettles the boundaries of the visible and invisible. It offers new insight into the artist’s approach—a choreography of inner perception and sensory resonance. An invitation to reconsider what painting allows us to feel and contemplate in today’s art.
OUR OTHERS ANALYSES
