In this month’s artwork analysis, Alba Sagols’ Trinity (daughter, mother, ancestress) is approached as an installation where voices, myths, and fragments of wood respond to one another to form a finely tuned sensory landscape. The focus falls on the way the piece brings different temporalities – intimate, ritual, archaic – into dialogue within the exhibition space.

The text invites readers to discover how the nailed wisteria fragments, the female figures, and the kulning song weave a polyphony of voices, both visible and invisible. The analysis offers avenues for interpretation without fixing meaning, tracing the circulation between material, votive gestures, agricultural memory, and feminine mythologies.

Finally, the piece is framed within a broader reflection on Alba Sagols’ artistic practice, in which vegetal matter, the presence of the body, and ritual inheritances play a central role. The analysis highlights a demanding yet delicate body of work, attentive to what remains inscribed in materials, gestures, and stories passed down from one generation to the next.